Moviegoing audiences in North America are not surging back to the theater right now and “Mulan” is likewise wavering in its China release as the global box office gradually returns online in the COVID-19 time.

In the second significant weekend for U.S. and Canadian movie theaters, Christopher Nolan’s “Tenet” earned just $6.7 million from 2,910 locations, as indicated by studio estimates Sunday. Warner Bros’ science fiction thriller was seen as the fundamental litmus test for whether crowds were prepared to grasp the theatrical experience once more, after almost a half year of covered theaters because of the pandemic.

In spite of the fact that it was sufficient to top the scattershot domestic releases, it additionally isn’t sufficient to kick off the battling presentation industry. Warner Bros. has just pushed back its next significant release, “Wonder Woman 1984,” much further.

The weekend’s just major new opener was Sony’s PG-13 romantic comedy “The Broken Hearts Gallery,” which earned an expected $1.1 million from 2,204 North American locations. The movie, from first-time writer director Natalie Krinsky and executive produced by Selena Gomez, is around a 20-something gallerist played by Geraldine Viswanathan who makes an art exhibit with souvenirs from her past relationships.

The studio is idealistic about its presentation and potential.

“The early numbers are really encouraging,” said Adrian Smith, the president of president of Sony Pictures domestic distribution.

Smith noticed that the film will have a moderate turn out as more theaters keep on opening in the U.S.

Around 66% of the domestic market is open and theaters are working at restricted limit and with restricted showtimes. Two of the nation’s greatest business sectors, New York and Los Angeles, stay shut. Other despite everything shut markets incorporate North Carolina, Michigan, New Mexico and the urban communities of Seattle and Portland.

Other prominent domestic weekend numbers incorporate Disney’s “The New Mutants,” which included $2.1 million from 2,704 locations in its third weekend and Solstice’s Russell Crowe pic “Unhinged,” which earned an extra $1.5 million in week four.

“Every week is a bit of a litmus test about how potential moviegoers are feeling about going to the theater,” said Paul Dergarabedian, Comscore’s senior media analyst. “I think audiences are slowly going back.”

But, he noted, “you can’t apply the norms of how we analyze or report the box office.”

Comscore has not had the option to report a traditional “Top 10” chart on account of the abnormal marketplace which Dergarabedian compared to a “relaunch” or a “reboot” of the movie theater.

The landscape is all the more reassuring universally, where “Tenet” this end of the week included over $30 million, pushing its global total to $207 million.

However, new movies are insufficient all alone. In China, The Walt Disney Co’s. “Mulan” had a baffling introduction of just $23.2 million. The low launch in any case asserted the film the No. 1 spot in the nation where an expected 91% of theaters are open however restricted to half limit. The studio noticed that its opening is around a similar level as “Cinderella” and “Maleficent: Mistress of Evil.”

Internationally, “Mulan” has earned $37.6 million to date, despite the fact that that number isn’t illustrative of the total earnings. The live-action epic, which has likewise been entangled in controversy over its filming location, isn’t playing in North American theaters. Rather, it is accessible for a $29.99 rental on the organization’s Disney+ service. The streaming earnings were not made accessible.

Yet, pre-COVID metrics of achievement and disappointment are hard to apply, particularly to the main movies out of the gates. Also, as per Dergarabedian, it may be that path for some time.

“We are not in a traditional marketplace and we are not in a traditional mode of analyses,” Dergarabedian said. “It’s going to take some time to properly assess the long-term impact of the pandemic.”