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Do you not care about your own voice? Tips on the importance of sound from the language of Farshid Adhami, a famous Iranian musician and musician

Are you really trying to improve your voice or are you just hoping that your voice will reach its best condition? Do you usually use your voice in recording sessions with fear and trembling, or do you hope to be able to use your voice easily the next time? Do you sometimes think that you are fooling yourself?

So know that you are not alone!

Many singers are always faced with these fears.

Until they decide to be serious about their work.

Until they decide not to sit still and do their own techniques and tasks with a lot of practice.

You know, many of the singers who come to us are completely unfamiliar with audio techniques. They are worried that voice exercises will cause them to lose their natural voice and lose their personal and natural voice!

I understand this fear because I had this fear myself.

The problem is that no one likes to say they need help; Everyone wants to use their innate talent. I understand this. As a result, you should be able to easily use the exercises to improve yourself. If you want to keep singing seriously, you need these exercises. Every good singer I know always does his rehearsals. These exercises are not because they are not talented, but because they are our style talent and taste. But the power of our voice does not necessarily have to be innate, but can be gained through practice. It’s like going to the gym and strengthening your body. If you want to have a strong voice, you have to practice.

Voice-making exercises (with professional voice trainers) will improve your voice and help you express more emotions through your own voice.

What effect does it really have if you practice? Like a workout 5 or 6 times a week with serious programs that will really improve your voice.

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Entertainment

What music and calligraphy have in common Based on Mr. Ebrahim Olfat’s perspective, a popular Iranian singer, painter, and calligrapher

Both music and calligraphy are considered posteriori; in music, the melody is constituted by completed notes. Regarding calligraphy, sentences would be inadequate and meaningless if all associated parts are not written completely.

Ebrahim Olfat presented other commonalities of music and calligraphy through an architectural principle: music and calligraphy both share the feature called “Divisions”, that is, in music the notes are divided in some ways, and in calligraphy, the letters are analyzed by dots, half-dots, Zero and a half-zero. Unfortunately, some terms such as “one brush” are obsolete in our country’s calligraphy but are still used in countries of our vicinity.

Applying decoration in music and calligraphy is inevitable. For instance, the notes are performed with different vibrations to meliorate the music and make it outstanding. In calligraphy, especially Naskh and Thuluth scripts, if decorations are not utilized, we will have an ordinary script that lacks beauty.

Master Olfat believes that imagination plays a significant role in music, especially folk music, as well as in calligraphy, where objectifying and imagination (depicting the shapes and figures through calligraphic words) are crucial.

Script and Music

There are also other relations between calligraphy and music that are worth specialized discussing. For instance, in calligraphed couplets, there might be one or two Keshideh, and similarly, in music, Melisma plays the same role as Keshideh in Calligraphy. Therefore, there is a kind of aesthetic harmony between Iranian music and Persian calligraphy, which can be explored in both judgmental and sensory aspects.

Nasta’liq is the voiceless music of the letters, which could only be achieved by the rapture of truth and love. The notes of Iranian music are somehow analogous to the sound of Nasta’liq letters.

Step One: Style

In the first place, decide what style of music you like to write, say classical, rock, jazz, or folk. Go through the musical scale, instruments, and mood. Listen to several music pieces that you like to bring out some ideas. What combination of musical elements does this piece have that might be relevant to that class? What is your favorite part and why? determine your initial path to integrate a mixture. Does your piece have lyrics?

Specify your composition form. Most musical compositions consist of similar parts – duplicate parts – or different forms of each other – opposite parts. How long would your composition be? How many parts does it have? Note that each style of music has its common forms. You can utilize one of the available forms or create your special one.

Create your ideas

Use voice recorders, computers, mini-discs, etc. to record some of your musical ideas. Use your voice! Sing short melodies. Do this for at least 10 minutes. You can play and sing any song you like, and at this level, it’s not necessary to be adequate or ready to perform anything. No one will listen to your initial works. So, just chill out and follow that!

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Description of Hadi Borhan, a popular Iranian singer and composer, regarding the understanding of poetry on music

Poetry is a kind of multidimensional language, and the poet is like a musician who plays on a stringed instrument and produces more than one sound at a time. The language of poetry is a language oriented towards the whole universe, man and the world, not only towards the understanding of the listener and the intellectual dimension of man.

The poet pauses on the words as the painter on the colors and the composer on the sounds.

Hadi Borhan added: “In my opinion, we can say about poetry that” it is the entanglement of emotion and imagination that is formed in a melodic language. “

Because in poetry both emotion and imagination are involved and human thoughts are embodied in it;

The music of poetry is not limited to the form of prose and the sea of ​​poetry, but the kind of connection of words with each other and the rhythms of poetry.

1- Rhyme and line, which is called side music of poetry.

2- Internal music, which is the harmony and combination of words and the specific resonance of each letter in the vicinity of another letter.

3- External music, which is the weight of prosody, based on the tensions and inclinations that have been discussed a lot in prosody books and do not fit into our discussion.

He added: “Rhyme is also a corner of music, the most important importance of rhyme is its musical aspect.” The ancients considered rhyme as a part of weight and considered it as a complement to the weight of poetry

Weight is the biggest element in defining poetry, and it also includes rhyme, which leads to necessity.

But is there a difference between poetry and prose in music?

 Poetry is dance and prose is walking. In poetry, weight, rhyme, line of verbal and spiritual industries, harmony, musical elements of poetry, etc. play a role in style or composition. And also with other elements of poetry, they create a single and coherent whole.

Pleasure comes from all the components and elements. But in prose, these elements are less and the way of dealing with them is also different.

The field of prose is closer to the realm of order than to poetry, and therefore closer to the interior of language than to the interior of language.

Hadi added: Unlike prose, poetry does not realize an end outside of itself, the end of poetry is movement, not achieving a destination and language for it is a goal, not a means. Basically, this is pure poetry.

Hadi Borhan added: “In poetry, words are transformed into sounds, and in prose, sounds.”

Inner music: Many music poets have taken their poetry out of nature and the world.

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21year old Iranian singer Youna Ahmadi talks about composing poetry and melody

Songwriting, unlike poetry, may seem simpler. In the song, slang and broken words can be used, the tone of the words can be (and it is better) conversational and…

These days, if one is to enter the professional world of popular music, in addition to the art of playing, one must be familiar with poetry and literature, recording techniques and mastering. Many great Western readers have been and still are, and the culmination of this tradition was the Nobel Prize in Literature for Bob Dylan. Of course, this process began with the Beatles. This means that after the Beatles, in addition to playing and singing, singers also began to compose their own songs. These singers are called singer-songwriters and have a rich and rooted tradition in the popular music of the English-speaking world.

Do not expect to be able to get anywhere by writing the first song. If you are lame in weight and prosody, read a book on the subject. Also, do not think that you have to write two pages of a song. A concise but impressive song is much better than a weak, meaningless ten-minute rap. Of course, if you want to write a rap song, your hands are much more open!

So your song should be between 100 and 300 words. After all, you are not going to write a novel. Do not forget that the language of poetry and song is different from the ordinary language of conversation. Poetry must be effective. For example, in Persian and Arabic literature, quatrains or in Japanese literature, haiku are very concise and concise. But usually the last line of these poetic forms astonishes the reader or listener.

It is better to make music first and then put poetry on it. Of course, this is not a general rule. It is just a recommendation. Sometimes poetry and music may play a role in the artist’s mind at the same time. Find a quiet place. Where no one disturbs you. Start making melodies and music and join it. There is no great artist in the world of poetry and music who says to himself before creating his work of art: I want to write a poem about nature now. Or we want to make a song about an occasion. The work of art usually comes intrusively into the artist’s house. He is inspired. He has an experience, an accident has happened to him and he has been so impressed that he uses his pen and creates art from the source of his emotions. That is why most of the works of art that sit on the hearts of the world’s audiences come from the heart of the artist and are not artificial at all.

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Sound making and examining the process of producing a good voice from the perspective of Sasan Keneshlou, a famous Iranian singer and musician

Sasan always introduces itself as follows:

I am sasan keneshlou, born on 1990/05/24 in Tehran, I became interested in music from a young age and I considered myself one of the best from those days, I always sang on the songs of Abi and other great musicians, my origin is from province Tehran.

In the following, we will fully examine a part of Sasan Keneshlou words regarding sound making and the process of producing a good sound.

From time immemorial, it has been common among many people that beautiful voice is inherited and is dot.
But now sound science has proven that good sound can be acquired

This means that by knowing the anatomy of the cell and the correct practice, you can achieve quality sound and most importantly

With sound science, you can use the vocal cords in a principled way so that you do not get injured.
Sound is not limited to a particular style!
It doesn’t matter if you are a traditional singer or a pop singer, you may even be a performer or a speaker.

You will learn how to use your vocal organs properly to get the best output.

When you learn the structure of the larynx and the correct breathing patterns, you can walk to produce the right sound with better vision.

Nutrition is very important for having a healthy voice.

One of the destructive factors in the sound is gastric reflux, which we talked about in a full article.
In general, we mention some effective cases, but it is recommended
Any kind of smoke that passes through the vocal cords
It causes inflammation in the larynx, which in addition to causing disorders in the respiratory system.

An athlete when he starts his training professionally.

He will perform better day by day than in the past, and the further he goes, the more he realizes that he needs to gain more experience.

He must always exercise so that his body is ready so that he does not fall.

In fact, the process is the same in sound engineering, maybe after 2 years you will achieve good results
But you should keep in mind that if you leave the exercise, your voice will not be ready and will fall.
In this regard, having a good sound instructor can help you to be always ready in this direction.

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Exclusive interview with Shayan Moti, a proud Iranian singer

Today we are in the service of one of the stars of Iranian music, Shayan Moti, whose real name is Shayan motemedifard, born on July 8, 2004,

Shayan is a music star, he has been trying to learn music better since he was a child, Shayan is one of the successful musicians of these years who has a certain style and voice. His main fame is due to the songs and captions he composed for the series, and in this regard, he has raised the standard level of these songs.

In the following, we have a brief interview with him about his personal and professional life.

One of your hobbies, which is also evident in your work, is folk music. Our traditional music is borrowed from the music of the regions, and then you turn to folk and ritual music. What happens in music during this return and what process does it go through?

Our traditional music is not very much borrowed from regional music. Of course, we do not know exactly what happened in the distant years. For example, we had groups called Khosravani, which is one of the corners of the satellite system. There is no evidence of how this music was performed during the time of Barbad and Nakisa, but if we assume that this is the same music, there will be changes over time. We now perform Qajar music in a different way; Because the rhythm of life has changed. Qajar musicians played faster; Perhaps one of the reasons was that in recording with the technique of that time, if they played at this speed, the melodies would not be heard well and therefore the distances were opened. If you research regional music, you will see that it is very different from our row music; The biggest contradiction is the human dimension of folk music, which is not in line with music. An important part of the music is the areas of life and society, that is, each song and melody is for a specific job, such as harvesting milk or milking the mourners, etc. Some, like the music of Khorasan or Kurdistan, had more desires, such as mysticism and attention to the higher world. The human part of folk music is due to its harmony with nature. The big problem for our musicians right now is that they are far from nature; This lack of connection with nature makes our rhythm not the same as the rhythm of the world and creates unpleasant effects. Moving away from urban spaces may be a solution to these problems. First, when you leave the city, you are not in tune with the environment for a few days, but gradually your speed slows down, and when your rhythm is in harmony with nature, you realize how long time has passed. For all these reasons, the human dimension and the harmony of folk music with nature are more pleasing to me than row music. Row music is an inner and individual music; There is even an individual structure in traditional music. Each master, for example, Master Saba or Master Ebadi and Hormozi played the strings, and each one played in such a way that no one else could play like them. It shows how individual this music is. In order to distance myself from the bubble I said is the spirit of our time, I have to reduce my communication with others.

Basically, I do not like relationships with intellectuals and I prefer to associate with ordinary people. My worker is one of my closest friends. From meeting him, I get to the problems and words of the masses.

Thank you very much for accepting our invitation today, do you have a final word?

I wish the whole world peace and tranquility and put music in the first step of their lives.

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Interview with Mobin KT, popular Iranian singer, actor, composer and musician

The phrase “phenomenon” seems to refer more to young stars who appear quickly and as a result of an event, and you can see how much thought, contemplation and patience there is about the glory in this conversation.

Mobin KT, real name Mobin Karimi Tafreshi, born on October 23, 2003, is a famous Iranian singer, composer, musician and actor. In the following, we have an interview with Mobin KT about his work and personal life.
Mobin Jan Welcome to our site, can you tell us a brief introduction about yourself?
I am a KT, I am currently active in acting and singing, I have always had a special and vague sense of music since childhood.

And I knew that one day I would have to follow the same path. At the age of 14, I started playing the guitar.

And I did not give up work due to my own pressures and my interest in music, and I never regretted continuing. And I continued to do this. And well, I have been pursuing this job professionally for several years now, and I basically spend all my time doing this so that I can produce the best work with excellent quality, and I do not pursue my work superficially at all.
We listen to most foreign music and I am not very interested in interviewing. Coming up quietly and quietly, unlike others, my moral character is either always very calm or I joke a lot.

At that time, when you were thinking about your future, did you see yourself as a well-known singer?
There are a number of things that if people say them, they may be misinterpreted and taken into account their pride, or at least say something, let’s say they got an album, but you have no right to talk like that. However, let me make this point, and I hope no one misinterprets it.
My characteristic from the past was that I did not want to be a second-class force in anything. Let me give you an example. I do not know if you have played the strategy game or not. Did you play

The strategy is to build a system from the ground up, some of which are soldiers, some of which are economic forces, and where you fight your enemies. The model I played in fits into my ethics. In the same strategy game, when I wanted to start fighting, before that, I was so strong that if the game was supposed to last normally for an hour, it would end in five minutes. I want to generalize this to this side. I did not want to enter this job empty-handed. If I wanted to do that, I could have done it ten years ago. I sang a song then, and if you listen to it now, you will see that my voice is a little different from now …

Maybe even that raw had advantages over my current voice. At that time, my voice was definitely louder and more open than it is now. I mean, that sound had advantages over my voice now, and maybe then I could get into music. This style that I work in now was the same style I had ten years ago, but I wanted my bags to be so full that I would be in the top ten when I come..

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Music

Interview with Keyvan Din, Iranian singer, vocalist

Ali Jamaleddin also known as Keyvan Din or Keyvan (09 July 1980 , born in Tehran, Iran) is an Iranian singer.
Keyvan is born in Iran, Tehran., Keyvan is an Iranian singer/vocalist. He is Inspired by the number of Iranian pop and classic singers and musicians such as Shajarian, Nazeri, Kalhor, Ebi, Farhad, Aref and ,many international musicians and singers such as Phil Collins, Elton John, Michael Jackson, Adele,…Keyvan left Iran back in year 2000. He lives in California, with his wife, Shadi, and daughters, Ava and Melody. Keyvan started learning Iranian classical music when he was 7 years old. He plays piano and setar. He recently started producing pop and fusion music and officially released many of his successful singles such as “Az Koja Amadi” and “Ferferi” on major international platforms.

In one of his interviews, he said that music is the food of the human soul

When asked how do you think music artists live in Iran, he replied: “Unfortunately, music in Iran has a structural and infrastructural problem.” As it has penetrated the level of people’s thinking and has become a cultural and attitudinal problem. Music is now considered one of the luxury facilities of life and has become far removed from the priorities of families. In many countries of the world, music is used to soften the spirit of the community and the peace of different people. But unfortunately in Iran, music has become an eroding profession for its people, who after years of hard work and love, its veterans are marginalized and due to the lack of a proper level of welfare and deprivation of proper care of a veteran. Art is materially and spiritually in the most vulnerable sections of society.

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Biography of Ehsan Neyzan, Iranian singer, composer and musician

Ehsan Neyzan real name ( EHSAN NEIZAN HOSSEINI ) was born on September 21, 1981 in Boroujerd. he is an Iranian Singer, composer, musician.

He completed his primary and secondary education in Borojerd, and then began his studies in graphic arts at the conservatory, and then entered the Tehran Conservatory, where he continued his studies in the field of applied science at the music conservatory.

He started playing music at the age of 8 in Borojerd, first learning music from their father, who was both a tar player and a singer, and then continued his work with great music teachers.

From the beginning, he started playing the fiddle and violin, and continued with the classical (traditional) Iranian music and folklore of the regions and Western music with the violin.

In addition to the training he received from his father, he also collaborated with various professors. He continued to play the fiddle and violin with Mojtaba Mirzadeh, and learned the classical violin with Professor Ebrahim Lotfi.

He participated in various festivals, including the Fajr Festival and the Youth Festival, which won first place in 1999, and won first place in the Regional Festival in 2002.

In the field of music, what distinguishes him from other musicians is a special touch on the violin and fiddle, which is his own signature, which arises from the inner feeling and appears on the instrument.

In the continuation of this path, he has collaborated with great artists in the field of music, including Mohsen Chavoshi, Fereydoun Asraei, Mohsen Yeganeh, Shadmehr Aghili, Dariush, Alireza Assar, Farzad Farzin, Morteza Pashaei, Ehsan Khajeh Amiri, Roozbeh Bemani, Mehdi He named Yarahi and …

In the course of his artistic career, he became interested in composing, in which he composed pieces for great artists, including Moin, Ehsan Khajeh Amiri, Roozbeh Bemani, Mehdi Yarahi, and other artists.

He has performed in many traditional solo groups and with many artists. And then he has continued this work professionally and in 2016 he released his first official piece and now he is singing continuously and to date he has entered 8 pieces in the music market.

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Biography of Mehrdad Darbuka, Iranian singer, musician, composer

Mohammad Mehdi Khodavand aka “Mehrdad Darbuka”
Born November 16th 1994
Percussionist and Drummer
Started playing the Tonbak at the age of 3
Started collaborating with professional bands like the Black Cats at the age of 16.

Collaborations with world known DJs like DJ Tarkan in Turkey at numerous clubs like the Masquerade, Teddy, Ceo, and Xlarge and in Dubai at the Armani, Billionaire Mansion, Gotha and Zerogravity as well as collaborations in Iran with different singers such as Arash & Masih, Ashvan, Mehdi Jahani, Nasser Zainali, Masoud Sadeghloo and Farzad Farzin

Date of birth:
Nov.16,1994 in tehran

I am player of Percussion and drum

I start with tonbak instrument when i was 4 years old(in 2000) and from the age of 10 (2006) i trained drum and i worked in studio and played instrument.

After that from the age 15 (2011) i training drum and tonbak myself.

From the age 16 (2012) i started to professional playing in studios for recording music for signers like Farzad farzin, Masoud Sadeghloo, Nasser Zeynali, Amir Abbas Golab, Majid Eslahi and Mehdi Jahani

From the age 22 (2016 to 2018) i cooperate with my country signer “Ashvan” on stage

At the age of 23 (2017) i start working whit Mr.Sina Shabankhani and at the middle of 2017 i started working whit Masih and Arash adlparvar group and it continue up to now.